“The MKH 8018 is a high-class shotgun model that rounds off our MKH portfolio at the top end,” says Kai Lange, senior product manager for the MKH series. “It has extremely low self-noise and truly excellent sound, very clear and pure due to the mic’s great off-axis rejection. Moisture resistance, minimal non-linar distortion, and a balanced audio signal at the transformerless, fully floating output are further benefits of the RF condenser technology, which Sennheiser has been perfecting for more than 60 years.”

Lightweight, non-modular, and with a tailored frequency response
To make the MKH 8018 as easy to handle as possible, the Sennheiser engineers have given it an aluminium housing to have less weight on a camera or boom pole. Also, the microphone is – unlike most of the other mics in the 8000 series – non-modular with a fixed XLR-5M output and integrated -10 dB pad against overdriving, filters for tailoring the frequency response, and an additional switchable -3 dB low-cut filter at 70 Hz.

As the MKH 8018 has been designed for broadcasting and filming applications, the usual extremely wide frequency response of the MKH mics has been limited to 40 – 20,000 Hz. This avoids any overloading of the mixing console with unhearable distortion below 40 Hz and above 20 kHz, where ultrasonic camera lens measurement systems are active.

Matrix inside
The MKH 8018 impresses with its homogeneous sound image, and can output MS stereo for further processing in the studio or on a mixer, or – via an internal matrix – XY stereo in a wide or narrow mode without the need for an external mixer. In XY-w, the mic emphasizes the side signal to a greater extent, thus capturing more ambience. In XY-n, the focus is more on the mid signal, giving the sound engineer more directionality.

The MKH 8018 is delivered complete with an MZQ 100 microphone clip, MZW 8018 foam windshield and a threaded plastic transport tube. The MZR 8000 camera adapter (pictured below on the right) wraps around the microphone body and ensures a secure fit with other mic clips and on cameras.

The MKH 8018 RF condenser stereo shotgun microphone is delivered complete with (from left to right) an MZQ 100 microphone clip, a threaded plastic transport tube, the MZW 8018 foam windshield and the MZR 8000, which wraps around the 8018 and securely adapts it to wider mic clips or camera mounts

Optional accessories for the mic are the MZS 20-1 suspension/pistol grip, the MZW 60-1 basket windshield and the MZH 60-1 hairy cover for outdoor use of the MKH 8018.

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“On set time is the most valuable asset,” says Tobias von Allwörden, head of Sennheiser’s Audio for Video portfolio. “Therefore, we designed EW-DP such that it is intuitive and fast to set up and helps you to troubleshoot your system. EW-DP provides the reliability and consistency that you need in stressful filming situations and time-sensitive working scenarios.”

The EW-DP series
Besides the stackable EW-DP EK receiver, the series includes a bodypack transmitter for clip-on mics (EW-D SK), a handheld transmitter (EW-D SKM-S) and a plug-on transmitter (EW-DP SKP) that will launch in October. As part of the larger Evolution Wireless Digital family, EW-DP inherits the family features such as the exceptionally low latency of 1.9 ms and a wide 134 dB dynamic input range, which ensures that everything from a soft whisper to a loud scream can be reliably captured without distortion.

Three sets are available now: The EW-DP ME 2 SET comes with a bodypack transmitter and the ME 2 omni-directional clip-on (lavalier) microphone, while the EW-DP ME 4 SET includes a cardioid clip-on microphone for noisier environments. The EW-DP 835 SET contains a handheld transmitter with cardioid MMD 835 dynamic microphone head.

All sets come with a magnetic mounting plate kit, a BA 70 rechargeable battery, two standard AA batteries, a locking 3.5 mm TRS to 3.5 mm TRS cable, a locking 3.5 mm TRS to XLR cable, and a USB-C charging cable for the receiver.

Peace of mind on location
“Though sound is decisive for the overall quality of a production, it is usually not the first priority on set. More often than not, freelancers will work without a dedicated audio person. There are enough challenges on set, so we embarked on developing a UHF audio system that would require minimal attention and give the videographer peace of mind,” explains von Allwörden. “For this, we collaborated closely with a peer group of filmmakers, camera operators and content creators. The outcome is EW-DP, which I like to call a UHF system with 2.4 GHz simplicity.”

Notably, EW-DP is the first portable wireless system that has magnetically stackable receivers with a user-facing OLED display and ergonomically designed controls. Thanks to EW-DP’s automated frequency coordination, videographers can get up and running quickly: The receiver finds a free frequency (which can also be initiated via the Smart Assist app), then the transmitter is simply synced via Bluetooth.

Never caught off guard with Smart Notifications
EW-DP requires little RF or audio knowledge – if any issues should occur, the system will guide users with Smart Notifications that give tips for troubleshooting and show them where to fix a problem. The system sends alerts for audio clipping, low battery, occupied frequencies, muted transmitters, and unlinked devices – and all come with a suggestion of how to quickly solve the issue. “This guidance makes all the difference when audio isn’t your only responsibility on set,” comments von Allwörden.

Various powering options for long location shoots
The EW-DP receiver can be powered by a BA 70 lithium-ion rechargeable battery, two standard AA batteries, or via USB by a power bank, for example. Added to the variety of powering options is an exact read-out of battery runtime in hours and minutes to avoid surprises. Battery life is up to 12 hrs on the transmitters, and up to 7 hours on the receiver with the included BA 70 rechargeable battery.

Control via receiver or Smart Assist app
Automated set-up, operation and monitoring can also happen at a distance from the camera receiver – conveniently via Bluetooth using the Smart Assist app on nearly any iOS or Android device. In the app, auto frequency coordination creates reliable wireless connections for up to 16 systems on set, no wireless expertise required. Videographers can quickly and discreetly alter system settings across the room, and remotely override an accidentally activated mute button on the transmitter. The app also includes a support hub with video tutorials and detailed manuals.

Upcoming: A very special plug-on transmitter
There’s more to come: In October, a plug-on transmitter will be added to the series. With +48V phantom power on board, the EW-DP SKP will be able to turn any wired XLR microphone into wireless, such as an MKH 416 on a boom pole. In addition, the plug-on transmitter features a locking 3.5 mm mic input for lavaliers – making it a versatile tool that can act as a real problem solver.

“In our conversations with the peer group, many expressed the wish to have some sort of safety net for their audio,” shares von Allwörden. “So we fitted the plug-on with a micro SD card slot for 24-bit, 48 kHz on-board recording.”

The plug-on transmitter will be part of the EW-DP ENG SET, which will include the receiver, a bodypack transmitter, the ME 2 lavalier mic and the SKP plug-on transmitter.

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It features an omnidirectional speaker that covers a 3.5m radius and seven integrated beamforming microphones to achieve impeccable sound quality. Through this Intelligent speaker, Microsoft Teams provides an automatic meeting transcript in real-time, identifying the individual people speaking by name, in case they have enrolled their voices. This provides an inclusive meeting experience for remote and hard-of-hearing participants.

“Sennheiser is known for our industry-leading TeamConnect Ceiling 2 microphone with TruVoicelift,” said Anne Guhn, Product Manager at Sennheiser. “This addition to our TeamConnect family offers an opportunity for us to expand into a different sized meeting room, at a price point that some might not expect from Sennheiser.”
Intelligent solutions, such as the integrated Cortana voice recognition software and automatic meeting notes, make an inclusive meeting experience possible for remote and hard-of-hearing participants. With multiple mounting options, long cables and a variety of country-specific power plug adapters, the TeamConnect Intelligent Speaker offers an easy and flexible installation experience.

“Video conferencing tools like Microsoft Teams have become the communication backbone for many businesses and education institutions,” Albert Kooiman, Senior Director of Microsoft Teams Devices Partner Engineering and Certification, said. “The Sennheiser TeamConnect Intelligent Speaker does not only provide excellent meeting room audio, but also unlocks the best speech technology. Only Intelligent Speakers offer the best speech transcripts.”

Microsoft Teams Rooms combines the virtual workspace of Microsoft Teams with real-world meeting rooms that feature AV equipment from Microsoft-certified hardware partners.

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“We are happy to introduce the first open studio headphones in Sennheiser’s PRO line,” commented Gunnar Dirks, Product Manager, Professional Audio. “When editing and mixing, you need detail and honesty, and this is what the HD 400 PRO will give you. Thanks to their linear, high-resolution reproduction, these headphones are a reliable reference to create outstanding audio mixes.”

Designed for accuracy
The HD 400 PRO features a wide frequency response of 6 to 38,000 hertz to give music producers the full account of their mix. The Sennheiser-developed 120-ohm transducers include a diaphragm made from a special polymer blend, which together with powerful driver magnets yields deeper, yet totally clear and well-defined bass. Distortion is below 0.05% (measured at 1 kHz, 90 dB SPL).

The HD 400 PRO accurately reproduces audio beyond the audible frequency range, giving you unbridled access to nuanced harmonics and ambiance in your music, while at the same time revealing a bold, articulate low-end.

Designed for spaciousness
The headphone transducers of the HD 400 PRO sit at a slight angle, carefully recreating the optimum triangular listening position you would place yourself in when listening to monitor loudspeakers in a recording studio. In addition, the open-back design of the HD 400 PRO ensures a natural propagation of sound, unimpeded by the acoustic structures required in closed-back designs. Both aspects create a wide and spacious soundstage, neutral and transparent, which enables audio producers to work confidently knowing that their final mix transfers accurately to listeners.

Designed for comfort
The HD 400 PRO headphones feature high comfort that prolongs creativity. A carefully engineered ultra-light frame positions the earcups in place, gently hugging the ears with minimal pressure. Soft velour earpads allow users to focus on projects for hours on end, while the open, circumaural design offers sufficient ventilation for ears to keep their cool, even during long mixing sessions.

Part of Dear Reality’s monitoring plugins
The HD 400 PRO can be used with Dear Reality’s headphone monitoring plugins, which create a virtual mix room with carefully designed acoustics thanks to advanced spatial audio technology. The headphones have already been integrated into the Spatial Headphone Compensation feature in dearVR MIX; dearVR MONITOR integration will be released by the end of this year.

The HD 400 PRO is available now and retails at US$ 250 + Tax. The headphones come with a 3-meter coiled cable and a 1.8-meter straight cable, both fitted with a 3.5 mm (1/8”) jack plug for portable sources. A 6.3 mm (1/4”) adapter is included, ensuring that the HD 400 PRO connects to your mixing desk or audio interface.

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“The combination of these three innovative companies enables an easy-to-use meeting solution that provides best in-class audio, and the flexibility to scale into any high-value collaboration space,” said Jason Moss, Vice President Alliances & Ecosystem, QSC. “This bundle delivers a fully networked and managed AV&C infrastructure to Zoom Rooms.”

“We are delighted to be part of a certified Zoom Rooms meeting solution with our partners at QSC. The QSC-Sennheiser bundle offers users high-quality audio and straightforward operation, while integrators will benefit from easy installation and years of trouble-free service and support from both companies,” said Charlie Jones, Global Alliance & Partnership Manager Business Communication at Sennheiser. “As Sennheiser and QSC both believe the customer should be able to select the best system for their application, we are proud to offer a bundle that allows integrators and consultants the ability to easily add or remove components such as cameras or speakers to adapt the bundle to their clients’ needs.”

“With the certification of the Sennheiser TeamConnect Ceiling 2 microphone we are excited to add a solution in our certified hardware ecosystem that provides exceptional audio with minimal setup or calibration.” explains Ty Buell, Solutions Architect at Zoom. “The combination of Sennheiser and QSC takes it a step further by combining premium audio processing and control to create a bundle that adds value to collaboration spaces where a more integrated and enhanced experience is desired.”

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“Smartphone penetration figures in the Middle East exceed the global average making this an ideal market for this solution. For companies, it is an extremely cost effective means of connecting with their audience and also exploits the fact that users are far more comfortable leveraging their own devices as has been proven by the BYOD trend,” said Mig Cardamone, Director of Sales and Marketing at Sennheiser Middle East.

MobileConnect consists of a streaming server and a specific wireless LAN router. The system provides a closed network that users can connect to from their smartphone. The selected audio data are transferred to the device via the MobileConnect multi-channel app, thus enabling users to play the content conveniently through headphones. And the user-friendliness of the system is not limited only to the front end: MobileConnect can be installed in a few easy steps and is ready for use immediately.

“We are proud to be able to present our customers with really innovative streaming-based technology in the form of MobileConnect,” said Andy Niemann, Director Business Communication at Sennheiser. “This solution will enable our customers to simply use their own smartphones to receive audio contents in the future. They obviously know how to use their own device best of all and merely have to download the free MobileConnect app to their smartphone. At the same time, event organisers are no longer faced with the cost of providing, renting and maintaining the audio devices.” But cost-efficient application is not the only feature that makes MobileConnect interesting for integrators, companies or event organisers: “Additional features such as assistive listening in theatres, the provision of an audio track for silent screens in airport waiting lounges or simultaneous interpreting for public performances mean that MobileConnect enables our customers to upgrade and expand their range of possibilities,” Niemann added.

Furthermore, the MobileConnect innovative streaming solution offers universal application. It can even be used in situations in which audio transmission has until now been impossible or only very limited. It opens up completely new opportunities in the field of digital signage as well as in many areas of assistive listening. System houses and integrators can therefore not only offer their existing customers an innovative solution for familiar application scenarios, but they can also acquire completely new customers.

To give its regional customers a hands-on demonstration of the new MobileConnect solution, as well as its ADN-W and TeamConnect audio conference systems, Sennheiser will host an event on the 10th of September 2015 at the Meydan Hotel in Dubai.

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A strong regional performer that witnessed a 62% YoY increase in Middle East gross profits in 2013, Sennheiser credits this success to its ability to anticipate and serve the needs of the regional market. “With the upturn in the regional economy and consequent expansion of businesses across multiple locations, making conference calls is now a key enabler of smooth communications. With the newly launched system, Sennheiser has stepped in to address this market need with a flexible, high-performance and cost-effective audio solution,” said Mig Cardamone, sales and marketing manager at Sennheiser Middle East.

“In TeamConnect, every component perfectly integrates to form a total solution that eliminates the typical complexities of audio conferencing. We even accommodated the growing popularity of smart devices in the region and designed TeamConnect to make it easy to link to networks and to connect business mobile devices in order to operate the system.”

TeamConnect is a complete audio solution consisting of the Central Unit CU1 – which offers both LAN and WiFi connectivity options, SpeechLine microphones and active loudspeakers. To guarantee the best possible meeting solution for customers, Sennheiser has partnered with a leading player in audio and video conferencing and developed TeamConnect in cooperation with ClearOne, one of the world’s leading Digital Signal Processing (DSP) specialists.

To enhance simplicity and ease-of-use, Sennheiser has specifically designed an iOS app that offers touchscreen control of web and audio conferences on iPad and iPhone. The same control capabilities are extended to other smart devices, such as those running the popular Android and Blackberry platforms, through an intuitive browser-based web app.

The system comprises up to eight Sennheiser SpeechLine microphones and features audio outputs that drive rich immersive sound from the active SpeechLine speakers which are also part of the package. Cardamone said, “TeamConnect is the perfect choice to serve any standard-sized conference room. With an easy installation into the existing room management infrastructure and clear effective fine-tuning software, the solution will not only be appreciated by audio and IT professionals. Once it’s set up, it will also be valued by end users, who will be spared the usual difficulties of starting up an audio conference.”

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